A fun conversation with Louise Atkinson today as we talk about her show She's Got The Look. The press release provides my first question (to the light of morning DJs the world over), but we go into more topics on the business and art of being a comic. How can you make comedy accessible to everyone? How does Edinburgh fit into the United Kingdom's festival circuit, and why is the Fringe one of the biggest routes into comedy? And if it's all about rhythm, what beat does Louise work to?
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