In our last episode of the season, Marlon and Jake take on the worst books by the best authors—or at least, authors they usually love. They discuss why a journalist’s instincts can be both a gift and a curse when writing fiction, the importance of a great editor, writers who seem more interested in ideas than people, and novels that try so hard to be current they end up aging badly. Tune in for a conversation about literary misfires and wasted genius.
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- The Devil and Sonny Liston by Nick Tosches
- In the Hand of Dante by Nick Tosches
- The Year of Magical Thinking by Joan Didion
- Slouching Towards Bethlehem by Joan Didion
- The Pickwick Papers by Charles Dickens
- I Am Charlotte Simmons by Tom Wolfe
- Orlando by Virginia Woolf
- Wolf Hall by Hilary Mantel
- A Tale of Two Cities by Charles Dickens
- Barnaby Rudge by Charles Dickens
- The Golden Notebook by Doris Lessing
- The Golden Bowl by Henry James
- My Son’s Story by Nadine Gordimer
- Quicksand by Nella Larsen
- The Spy Who Loved Me by Ian Fleming
- The Day of the Jackal by Frederick Forsyth
- Hotel by Arthur Hailey
- Hollywood Wives by Jackie Collins
- The Carpetbaggers by Harold Robbins
- Peyton Place by Grace Metalious
- Whirlwind by James Clavell
- Gai-Jin by James Clavell
- The Breast by Philip Roth
- Portnoy’s Complaint by Philip Roth
- Humboldt’s Gift by Saul Bellow
- Mr. Sammler’s Planet by Saul Bellow
- A Small Town in Germany by John le Carré
- The Little Drummer Girl by John le Carré
- A Perfect Spy by John le Carré
- The Continental Op by Dashiell Hammett
- The Far Pavilions by M. M. Kaye
- Go Set a Watchman by Harper Lee
- Until August by Gabriel García Márquez
- Heartburn by Nora Ephron
- Ancient Evenings by Norman Mailer
- The Naked and the Dead by Norman Mailer
- The Executioner’s Song by Norman Mailer
- India: A Wounded Civilization by V. S. Naipaul
- The Power Broker by Robert Caro
- Terrorist by John Updike