DZ-128: What even is a Character Arc?

Listen to separate the three layers of an arc -- does the character change? How do they feel about it? And how is the audience positioned to feel about it?

Stu, Chas and Mel finally begin their long-awaited journey into CHARACTER ARCS. In this "primer" episode, we try find some learnings and analytical lenses that we can then apply in future breakdowns.

In this episode, we explore differences between a character learning something and a character fundamentally changing, how to dramatise that, and how the show teaches the audience to perceive that transformation (whether positively or negatively).

Throughout the discussion, we skate over A NEW HOPE, BLUE MOON, BREAKING BAD, BETTER CALL SAUL, the French real-time thriller FULL TIME, A KNIGHT OF THE SEVEN KINGDOMS, THE GREEN KNIGHT, ALL OF US STRANGERS, PREDATOR BADLANDS, FIELD OF DREAMS, MEG 2, and Stu's receding hairline.

Ultimately, this discussion synthesises into a series of questions to ask of a story and the main point-of-view character living through that story:

• Does the audience enter the story with an expectation that characters will change?
• How does the story teach the audience to expect characters to change or not?
• Do the characters change? Is it experiential change or internal value change? How is that dramatised?
• Is the character aware that they changed? How do they feel about that change? Does that matter?
• How does the story want the audience to feel about that change? If different to the character’s perception, how does the story pull that off?
• How does the story world punish or reward the change?
• What are the values explored by the arc? How does this relate to the theme?
• How is contrast vs affinity/unity portrayed through the characters’ journey? Order vs disorder vs inertia
• What is the emotional event created between the character and audience as a result of the journey? Does the character end up more intimate or distant from the audience?

In upcoming episodes, we intend to apply these lenses to stories with STEADFAST/RESILIENT arcs, POSITIVE arcs, NEGATIVE arcs and - potentially - a “WTF is this?!” arc.

Please check out our homework discussion on Patreon. And if you want to vote on the stories we're gonna breakdown, sign up!

As always: SPOILERS ABOUND and all copyright material used under fair use for educational purposes.

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Thanks to our Patrons, especially Khrob, Theis, Sandra, Jesse, Randy, Paulo, Thomas, Jennifer, Malay, Alexandre & Natalie and Lily.

→ Read the transcript for this episode.

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"Character arcs are really difficult to talk about because they're not just in isolation. Rarely is a film only about one character, right? So we're actually talking about how we harmonize other characters around them." — Stu Willis @ 00:12:16

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CHAPTERS

• 00:00:00 – Cold Open
• 00:00:17 – Character Arcs: A Primer on What We're Really Asking
• 00:03:13 – › Three layers of an arc: character, self-perception, audience
• 00:07:04 – › The four-quadrant map: change, no change, better, worse
• 00:10:15 – › Why calling it an arc is already a misnomer
• 00:13:35 – What We Each Want to Learn from This Series
• 00:19:56 – › Whether emotional authenticity is becoming more valuable than spectacle
• 00:23:37 –