Hip-Hop 50: The Score - Fugees In Haiti

In celebration of the 50th anniversary of hip-hop, we’re opening up The Opus podcast archives to re-release seasons focused on some of history's most legendary rap albums. First up, we revisit Fugees’ classic The Score, which comes in at number 15 on Consequence’s list of the 50 Greatest Hip-Hop Albums of All Time. You can see the full list on Consequence, and there will be loads of artist interviews, essays, and more coming throughout the month, so make sure to check it all out at Consequence.net.

You can also snag some of our exclusive Hip-Hop 50 merch at the Consequence Shop.

Here on The Opus, we’ll also be re-releasing our season about Cypress Hill’s self-titled record, so make sure to check back every Wednesday and Friday for fresh episodes from the archives.

The Fugees were culturally unique in myriad ways. They were a trio comprised of one American-born Black woman and yet also two Haitian immigrants, who both took pride in their heritage. Naturally, this pride was weaved into the fabric of 1996's The Score, and the album's success meant that they were able to champion Haitian music in both America and abroad.

In this episode, host Jill Hopkins speaks to the trio's family, friends, and fans about Haiti’s effect on the Fugees and the Fugees effect on Haiti, Haitians, and their fans who saw their own American immigrant and refugee experiences reflected back at them.

Along for the journey are award-winning songwriter and multi-instrumentalist Jon Batiste, producer Jerry Wonda, Ruffhouse Records co-founder Chris Schwartz, music journalists Dometi Pongo and Insanul Ahmed, and reggae legend Sly Dunbar. Together, they study the symbiosis between band and homeland as it pertains to the Fugees.

Original music by Tony Piazza.

Don't forget to enter our giveaway to win a Fugees prize pack, which includes vinyl, a turntable, and headphones. (Note: If you’re having trouble seeing the widget, enter here.)

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