HPR4680: Robert A. Heinlein: The Future History, Part 2

This show has been flagged as Clean by the host.

In his early days as a writer, Heinlein wrote his stories in the context of a shared universe that he called the Future History. These were mostly short stories at first, with the occasional novella. But they include some great stories.

The Future History, Part 2

There were a few key themes running through Heinlein’s body of work. One we have already remarked upon, individual freedom, which had to be protected from any source of power, including both government and private corporations. This was essentially a libertarian perspective, but unlike many of today’s libertarians he was equally averse to the corporate type of power as a threat. But he had a complex view of the world which has resisted some attempts to pigeonhole him. He started out as a socialist, and while he didn’t remain one, he never became a knee-jerk reactionary either. In fact, he clearly despised them just as much. One way of looking at his body of work is that he explored the ramifications of different social policies through his stories, but in most cases the needs of a good story came first in the early years. In his later works he often surrendered to the temptation to pontificate, which reduced the enjoyment of them somewhat for anyone who was not already in agreement with his opinions

The second major theme you see throughout all of his works is the idea of the competent individual. He admired anyone who could do a job well, and clearly did not care whether they were man or woman, nor black or white. Alexei Panshin writes, in Heinlein in Dimension:

“There is one unique and vivid human Heinlein character, but he is a composite of Joe-Jim Gregory, Harriman, Waldo, Lazarus Long, Mr. Kiku, and many others, rather than any one individual.  I call the composite the Heinlein Individual.  . . .  It is a single personality that appears in three different stages and is repeated in every Heinlein book in one form or another.

“The earliest stage is that of the competent but naïve youngster. . . .  The second stage is the competent man in full glory, the man who knows how things work. . . .  The last stage is the wise old man who not only knows how things work, but why they work, too.”

Harriman we have already encountered in The Man Who Sold The Moon, and the others appear later. The Heinlein Individual, as he is often referred to, appears in many of Heinlein’s stories.

A third major theme has to do with morality and religion. Heinlein grew up in what he considered the heart of the Bible Belt, in Missouri, and saw first-hand how the evangelical Christians operated, and despised what he saw. As someone who believed in individual freedom, he could never surrender to someone else’s idea of how he should live his life. He saw them as a danger to his ideal libertarian society, and this shows up very early in his work. He personified the good, upright, church-going folk as “Mrs. Grundy”, and while you might want to draw the drapes to keep her from knowing what you were doing, you should never let her dictate how you would live your life. Revolt in 2100 begins the exploration of this in detail.

There is a chart of the future history at Baen Books, and in it we see that the 1960s were what Heinlein called The Crazy Years. (Remember, he conceived this in the 1940s and 1950s.)