Johanna Went: the cult performance art-punk on feminism, fake blood, embracing ageing and inspiring Lady Gaga

Speak to anyone from the 1980s punk scene in Los Angeles and they’ll tell you: Johanna Went is an underground legend. While the bands like Black Flag, Fear and X were thrashing out their three chords and the truth, Went would take to the stage at clubs like The Masque, Club Lingerie and Hong Kong Cafe and perform between the live shows. The crowd hadn’t seen anything like it before.She wasn’t a punk musician per se but the “hyena of performance art”, whose transgressive spectacles of New Wave theatre, experimental noise, elaborate and crude costumes, chaotic rituals, and gory props like pig heads and fake blood – lots of blood – built a cult following and predated Lady Gaga’s meat dress and Peaches' raucous stage antics and costumes by decades.Johanna’s shows were wild, depraved and often grotesque, boldly taking on themes like female pleasure and menstruation. Take her 1988 performance Passion Container, in which she pulled giant bloodied tampons out of a silk vagina and chucked them into the crowd – this was pre-riot grrrl and before L7’s legendary tampon-flinging performance at Reading Festival in 1992. Many aren’t sure where Johanna Went went but The Last Bohemians: LA, supported by Audio-Technica, found her living a quieter life, in the beach town of Ventura, California. Across her garden table, she looks back at her transgressive work and talks about the magic of the 1980s punk scene, growing up an outsider, the beauty of performance art and why embracing ageing is the punkest move of all.CREDITSPresenter and Exec-Producer: Kate HutchinsonEditor: Georgie RogersAdditional production: Holly FisherMixing and mastering: Mariana Sousa AguiarPhotography: Kate HutchinsonWith thanks to Sarah Cooper at the Getty, Alice Bag, Mara Carlyle and all at Erased Tapes.MUSICTheme music: Pete Cunningham, Ned Pegler and Caradog JonesPiano Scapes 3 Written and performed by Qasim NaqviCourtesy of Erased TapesAngelus NovusWritten by Saki SugimotoPerformed by Hatis NoitCourtesy of Erased TapesAway With These Self-Loving Lads (Instrumental) - Mara CarlylePearl (Instrumental) - Mara Carlyle Bowlface en Provence (Instrumental) - Mara CarlyleBonding (Instrumental) - Mara CarlyleNerveskade - SickheadApache Tomcat - Alright Rock N RollFURTHER READING/LISTENINGX-TraxHyperallergicArtForumBandcampABOUT AUDIO-TECHNICAIn 1962, with a vision of producing high-quality audio for everyone, Audio-Technica’s founder Hideo Matsushita created the first truly affordable phono cartridge, the AT-1 in Shinjuku, Japan. Since then, Audio-Technica has grown into a world-renowned company devoted to Audio Excellence at every level, expanding the product range to include headphones, microphones and turntables. Audio-Technica’s commitment to the user experience and their devotion to high quality design, manufacturing, marketing, and distribution has placed them at the forefront of the industry for the last 60 years.ABOUT THE LAST BOHEMIANSJournalist and broadcaster Kate Hutchinson launched The Last Bohemians in 2019, pairing the audio with stunning portraits by photographer Laura Kelly. It featured 86-year-old Molly Parkin’s stories of self-pleasuring, LSD countess Amanda Feilding’s trepanning tales and Pamela Des Barres’ reflections on supergro