DZ-120: Subtext is overrated

Or, how focusing on good drama will result in good subtext.

We often hear how subtext is important for good screenwriting. We’re here to tell you it isn’t. Good subtext is a result of good drama, and your focus should be on creating that good drama. But how?

In this episode, Chas Fisher and Stu Willis are joined by screenwriter+teacher, Tom Vaughn (Winchester) to delve into the world of subtext. 

We kick off the discussion by talking through Tom’s article “Why Subtext is Overrated” and break down his core idea that subtext is a byproduct of character goals, tactics and fears. 

We explore this further through close examination of “the other way” scene from MICHAEL CLAYTON, “the strudel” scene INGLORIOUS BASTARDS (both known for their subtext) and the “new years” sequence from THE SUBSTANCE.

Inevitably discussion also terms to the relationship of subtext to emotional truth, theme, symbolism, dramatic irony and filmmakers subtext (?!).

As always: SPOILERS ABOUND and all copyright material used under fair use for educational purposes.

CHAPTERS

• 00:00:20 - Intro: What is Subtext?
• 00:00:21 - Cold Open
• 00:18:59 - Michael Clayton
• 00:42:59 - Inglorious Basterds
• 01:13:48 - The Substance
• 01:46:13 - Wrap up & Key Learnings

RELATED EPISODES

• DZ-40: Tactics and Scenes
• DZ-108: The Emotional Event with Judith Weston
• DZ-119: Final character choices & great endings

LINKS

• The New Literalism Plaguing Today’s Biggest Movies: https://www.newyorker.com/culture/critics-notebook/the-new-literalism-plaguing-todays-biggest-movies
• Emotional Truth Over Subtext: Unlocking Compelling Scenes in Your Screenwriting: https://blog.storyandplot.com/why-subtext-is-overrated-8502a501aff8
• Story and Plot - https://storyandplot.com/
• Raising the Stakes - “What is subtext?”: https://www.youtube.com/watch?v=F-jILeLdfEw

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