
In this episode, our Tania chats with multi award-winning illustrator Jill Calder about 30+ years of illustration, and how she’s explored pretty much the entire “illustration atlas” without losing herself along the way.
Stuff we cover:
Rough Timestamps
00:00 – Tania introduces Jill and why she’s a Good Ship favourite02:30 – Early days: art school, editorial work and the 90s newspaper scene05:00 – “By chance, someone took a risk on me…” – moving into design & corporate jobs07:30 – Becoming “the handwriting person”11:30 – The wildest job ever15:00 – Champagne, iPads and the very fancy side of ad agency work16:30 – Exhibition days, analogue work and why looseness matters18:00 – Stumbling into children’s nonfiction with Robert the Bruce21:00 – Picture atlases, strict colour palettes and Google Earth walks22:30 – Nonfiction vs fiction picture books – fees, length and workload26:00 – Collaborating with Jackie Kay on Coorie Doon and illustrating big feelings29:30 – I Love You Every Colour – an illustrator’s dream text31:30 – Two very different books in one year: soft dreamland vs riot of colour33:30 – Handling emotion, light and character across spreads34:30 – New project: Cass and the Beast for Gecko Press35:30 – Keeping rough energy in final artwork (and managing the stress of it!)37:00 – Where Jill pops up inside Good Ship courses and Facebook groups
Stuff we mentioned
Byeeee for now!
x The Good Ship Illustration (Helen, Katie & Tania)
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