The Business of Fringe Magic with Luke Oseland

In this episode, Jonah Babins is joined by rising UK magic star Luke Oseland to explore a journey that spans from toy magic sets and teenage tinkering to Fringe Festival sellouts and cruise ship stints. From co-creating Insane Magic to redefining how young magicians build their brands, Luke shares the behind-the-scenes of developing shows, finding your performance voice, and building a magic career from scratch. You’ll learn how to structure a magic show, when to take creative risks, and why sometimes the best marketing strategy is just putting on a killer show.

How Luke Got Started in Magic

Luke’s magic journey began like many—with a gift from his grandparents. But instead of fading interest, his obsession grew. He found early inspiration in televised magic like Penn & Teller: Fool Us and Dynamo, and later deepened his craft through the Young Magicians Club in London, a standout space for aspiring performers under 18. After aging out, he transitioned directly into the Magic Circle and began exploring his path as a creator, consultant, and eventually a performer.

From Creator to Performer

Luke initially leaned into the behind-the-scenes world of magic—creating, consulting, and selling effects—before realizing, at around age 19, that performing could be just as fulfilling. His move to Edinburgh was pivotal: by immersing himself in the city’s vibrant arts scene, he began gigging in clubs and bars, testing material at stand-up nights, and ultimately launching full productions at the Edinburgh Fringe.

Building Magic Shows that Work

Luke breaks down the process of creating shows like Drunk Magic, The Magic Hangover, and the crowd-favorite Insane Magic (with Cameron Gibson and Elliot Bibby). His philosophy is simple: start with great magic and let the narrative emerge naturally. While some magicians obsess over crafting a poetic through-line, Luke suggests focusing on structure, pacing, and audience experience—advice rooted in trial, error, and over 80 shows per month during the Fringe.

Writing with a Team and Making It Work

Collaborating on a show with two other magicians might sound like a nightmare, but Luke offers insights on how Insane Magic became a creative success. With clear roles, shared strengths (and occasional arguments), the team managed to build one of the most entertaining magic experiences on the Fringe circuit. From using Google Docs to obsessively fine-tuning one joke for 40 minutes, the process is messy—but worth it.

Magic Clubs Done Right

Unlike many North American magic cl