8 Oct 2024 08:06
Three Sets At the Warfield: acoustic and electric RIP Kris Kristofferson; Where are the Betty Boards?
Pink Floyd's Catalog Sale: A New Era
In this episode of the Deadhead Cannabis Show, Larry Michigan explores the rich history of the Grateful Dead's music, focusing on a specific concert from 1980. He discusses the significance of various songs, including 'Iko Iko' and 'Me and Bobby McGee', while also reflecting on the impact of Chris Christopherson's songwriting. The conversation shifts to current events in the music and cannabis industries, including Pink Floyd's catalog sale and the ongoing challenges faced by the hemp industry. Larry emphasizes the importance of medical marijuana legalization and shares insights on how cannabis enhances the music experience. He concludes with personal strain recommendations and highlights record sales in legal marijuana states.
Takeaways
The Grateful Dead's acoustic sets were a significant part of their live performances.
Audience tapes capture the energy of live shows better than soundboard recordings.
Chris Christopherson's 'Me and Bobby McGee' remains a classic, showcasing the intersection of music and storytelling.
Pink Floyd's recent catalog sale reflects the changing dynamics in the music industry.
The Betty Boards represent a pivotal moment in Grateful Dead tape trading history.
The hemp industry faces legal challenges that could impact small businesses.
A majority of chronic pain patients support the legalization of medical marijuana.
Cannabis enhances the enjoyment of music, as confirmed by recent studies.
Record sales in legal marijuana states are reaching new heights, indicating a thriving market.
Personal strain recommendations can enhance the cannabis experience for users.
Chapters
00:00Introduction and Context of the Grateful Dead's Music
04:50Exploring 'Iko Iko' and Audience Tapes
10:42The Significance of 'Monkey and the Engineer'
15:24Remembering Chris Christopherson and 'Me and Bobby McGee'
22:31Pink Floyd's Catalog Sale to Sony Music
28:15The Mystery of the Betty Boards
54:16Current Issues in the Hemp Industry
01:08:10Support for Medical Marijuana Legalization
01:15:50The Impact of Marijuana on Music Enjoyment
01:21:09Record Sales in Legal Marijuana States
01:25:53Strain Recommendations and Personal Experiences
Grateful Dead
October 7, 1980 (44 years ago)
Warfield Theater
San Francisco, CA
Part of 23 show run in late September to the end of October, 1980 split between the Warfield (September 27th – October 14th) and Radio City Music Hall in NYC (October 22 – 31st) Each show opened with an acoustic set followed by two full electric sets. These were the last shows where the Dead played acoustic sets. Songs from all of these concerts were pulled for the two related Dead double album releases, Reckoning (acoustic music, released April 1, 1981- the Band’s sixth live album and 17th overall) and Dead Set (electric music, released August 26, 1981, the Band’s seventh live album and 18th overall).
Today’s episode is broken up into three acoustic numbers from this show and then three electric numbers.
INTRO: Iko Iko
Track #1
0:00 – 1:37
"Iko Iko" (/ˈaɪkoʊˈaɪkoʊ/) is a much-coveredNew Orleans song that tells of a parade collision between two tribes of Mardi Gras Indians and the traditional confrontation.
