From the collection of Samuel Bayard of Pennsylvania around the 1930's, Harry "Tink" Queer liked "tinkering" with his father's fiddle at a young age and grew to be a capable fiddler. The A part of this tune sounds unique and the B part reminds us of Little Billy Wilson's part A. The cello banjo's lower tuning allowed me to arrange this tune in equivalent to a double C tuning. Because the original tune is in A, open G tuning would work, too. Here it goes from the low fourth string up to the 10th fret on the first string. I had to memorize my tab's part B to accurately get up there. (Normally for Tune of the Week, I arrange and tab a tune after slowing the fiddle down to hear what is played and don't make an effort to memorize it.) I like imitating the fiddle on banjo and often have said my banjo thinks it's a fiddle. :) I get the melody best from a fiddle, and for me it's melody that makes the tune, with the clawhammer rhythmic style giving it body.
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